Betrayal

Zawe Ashton stands, while Tom Hiddleston and Charlie Cox sit on wooden chairs. They're in casual clothes with a grey cloud-like background behind them.

Show Details

Performance Schedule

TUESDAY thru THURSDAY @ 7 PM
FRIDAY and SATURDAY @ 8 PM
WEDNESDAY and SATURDAY @ 2 PM
SUNDAY @ 3 PM

Run Dates

August 14, 2019 - December 08, 2019

Upcoming Scheduled Events

No scheduled performances found.

Running Time

1:35 hrs

Read Reviews Visit Show Website

Show Description

Direct from a standing-room-only hit run in London, Betrayal is the story of an illicit affair that unfolds in reverse—from the end of a marriage to the first forbidden spark.

Starring Golden Globe and Olivier Award winner Tom Hiddleston (The Avengers), Zawe Ashton (Velvet Buzzsaw) and Charlie Cox (Daredevil) in their Broadway debuts, this stunning production features the daring vision of one of the UK’s most acclaimed directors

Tickets


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Standard Tickets


August 14, 2019 - December 08, 2019

Wheelchair seating, assistive listening devices, loopSystem, handheld captions, and prerecorded audio description are always available.

For Show Times, see Performance Schedule above.


Wheelchair

Use the standard ticket button to purchase tickets.

Hearing: Assistive Listening Devices

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Hearing: Loop Systems

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Closed Captioning

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Audio Description: Pre-recorded

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Theatre Details

Address

Bernard B. Jacobs Theatre
242 W 45th St
New York, NY 10036

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Public Transportation

By Subway: 1, 2, 3, 7, S, A, C, E, N, R, Q, W to 42nd St / Times Square

By Bus: Take M7, M20, or M104 bus.

Additional Accessibility Details

Wheelchairs: Wheelchair seating available. Theatre is not completely wheelchair accessible. There are no steps to the designated wheelchair seating location.

Seating: Orchestra section: The seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating locations.Mezzanine sectionLocated on the 2nd level, up 3 short flights of stairs (29 steps). Once on the Mezzanine or Balcony level, there are approximately 2 steps per row.

Elevator\Escalator: There are no elevators or escalators at this theatre.

Box Office: The box office is in the lobby which is street level. The counter is wheelchair accessible.

Restroom: Restroom: Wheelchair accessible (unisex) restroom located on the Orchestra level. Additional restrooms (not wheelchair accessible) are also located down 1 flight of stairs.

Water Fountain: Located in the restrooms.

Telephone: Pay Phone located in the ticket lobby. Accessible at 54".

Assisted Listening System: Reservations are not necessary. Drivers license or ID with printed address required as a deposit. Please call: (212) 582-7678 to reserve in advance. Copper Induction Loop also available.

Folding Armrests: Sixteen (16) seats with folding armrests. Ask box office for mobility seats for these locations.

Reviews (3)

NYT Critic's Pick -

"Directed by Jamie Lloyd — and acted with surgical precision by Tom Hiddleston, Zawe Ashton and Charlie Cox — this stripped-down revival of Pinter’s 1978 tale of a sexual triangle places its central characters under microscopic scrutiny, with no place to hide. ”

CONTINUE READING THE NEW YORK TIMES REVIEW

"This very fine production makes an absolutely compelling case for returning so quickly to the play, in which betrayals cut in every direction — between couples, friends and within the characters themselves. Lloyd and his actors illuminate a glimmering darkness in the drama, a deeper well of sorrows that linger in the air even after the cast take their bows.

CONTINUE READING THE HOLLYWOOD REPORTER REVIEW

Even though he’s standing scarecrow-still on the back wall, won’t Avengers star (and Olivier Award winner) Hiddleston—whose remarkable Broadway debut is the cause for the stage-door pandemonium and scalper mania on West 45th Street—be a bit of a distraction? Actually, no. He simply fades into the background—as Ashton does when her Emma lingers near a Robert-Jerry scene, and as Cox does when his Jerry sits up against the wall during the only Emma and Robert scene (the play’s midpoint and its dramatic peak, being the moment when Robert discovers the betrayal). By keeping every actor onstage, constantly in each other’s orbits, Lloyd has captured the greatest—and most heartbreaking—truth about infidelity: The other person is always there.

CONTINUE READING THE NEW YORK STAGE REVIEW